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The Art of JAMA |

Pueblo Series, Acoma Raymond Jonson

Jeanette M. Smith, MD
JAMA. 2016;315(14):1432-1433. doi:10.1001/jama.2015.14203.
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The rugged beauty and strength of lofty landforms appealed to Raymond Jonson (1891-1982), evoking in him an emotional recognition of phenomena in the natural world, feelings that he in turn sought to convey in his works. Elements in his surrounds that signified the orderly tempo of nature could also serve to symbolize more intangible sensibilities, such as his aspirations for a peaceable earth.

Raymond Jonson (1891-1982), Pueblo Series, Acoma, 1927, American. Oil on canvas. 92.7 × 110.5 cm. Courtesy of the Denver Art Museum (http://denverartmuseum.org/), Denver, Colorado; William Sr and Dorothy Harmsen Collection, 2001.441. Photograph courtesy of the Denver Art Museum. © University of New Mexico Art Museum, Albuquerque.

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Raymond Jonson (1891-1982), Pueblo Series, Acoma, 1927, American. Oil on canvas. 92.7 × 110.5 cm. Courtesy of the Denver Art Museum (http://denverartmuseum.org/), Denver, Colorado; William Sr and Dorothy Harmsen Collection, 2001.441. Photograph courtesy of the Denver Art Museum. © University of New Mexico Art Museum, Albuquerque.

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