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The Cover | August 4, 2010

The Legend of John Brown

Thomas B. Cole, MD, MPH

JAMA. 2010;304(5):502. doi:10.1001/jama.2010.1033.

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Jacob Lawrence (1917-2000) said that he painted what he knew, and since his life experiences derived from his national, race, and class group, his observations of race and class struggles in the United States naturally became the substance of his paintings (JAMA cover June 7, 2000). Lawrence is best known for several series of paintings on historical themes, such as slavery, migration, and war. One of these series told the story of John Brown, a man who believed that God had called him to free American slaves by force.

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Jacob Lawrence (1917-2000), “Sunday, October 16, 1859, John Brown With a Company of 21 Men, White and Black, Marched on Harper's Ferry,” No. 19 from The Legend of John Brown, American, 1977. Color screenprint. 50.8 × 65.4 cm. Courtesy of the Ackland Art Museum, University of North Carolina at Chapel Hill (http://www.ackland.org/), Chapel Hill, North Carolina; Ackland Fund. ©2010 The Jacob and Gwendolyn Lawrence Foundation, Seattle, Washington/Artists Rights Society (ARS), New York, New York.

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Country-Specific Mortality and Growth Failure in Infancy and Yound Children and Association With Material Stature

Use interactive graphics and maps to view and sort country-specific infant and early dhildhood mortality and growth failure data and their association with maternal

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Cole TB. The Legend of John Brown. JAMA. 2010;304(5):502. doi:10.1001/jama.2010.1033.

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