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The Cover | February 18, 2009

Mayan Ruins, Yucatan

Janet M. Torpy, MD

JAMA. 2009;301(7):702. doi:10.1001/jama.2009.5.

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Landscape artist Robert Scott Duncanson (1821-1872) lived most of his life a stone's throw from where slavery was cultivated along with tobacco and cotton. Ohio embraced antislavery movements: in Cincinnati, across the Ohio River from northern Kentucky, Duncanson lived the life of a “freeman of color.” His paintings, often commissioned by abolitionist patrons, were appreciated by the conventional wealthy art audience of the mid 1800s. Further examination of his works reveals hidden symbolism; Duncanson's own struggle for freedom and equality as an artist then becomes apparent. His struggle was not in vain, however, because he later became the first internationally recognized African American artist.

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Robert Scott Duncanson (1821-1872), Mayan Ruins, Yucatan, 1848, American. Oil on canvas. 35.6 × 50.8 cm. Courtesy of the Dayton Art Institute (http://www.daytonartinstitute.org/), Dayton, Ohio; museum purchase with funds provided by the Daniel Blau Endowment, 1984.105.

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Country-Specific Mortality and Growth Failure in Infancy and Yound Children and Association With Material Stature

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Torpy JM. Mayan Ruins, Yucatan. JAMA. 2009;301(7):702. doi:10.1001/jama.2009.5.

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