0
We're unable to sign you in at this time. Please try again in a few minutes.
Retry
We were able to sign you in, but your subscription(s) could not be found. Please try again in a few minutes.
Retry
There may be a problem with your account. Please contact the AMA Service Center to resolve this issue.
Contact the AMA Service Center:
Telephone: 1 (800) 262-2350 or 1 (312) 670-7827  *   Email: subscriptions@jamanetwork.com
Error Message ......
The Cover |

Filles de Kilimanjaro III (Miles Davis)

Thomas B. Cole, MD, MPH
JAMA. 2013;309(13):1320. doi:10.1001/jama.2013.1591.
Text Size: A A A
Published online

Extract

Filles de Kilimanjaro” was recorded by the Miles Davis quintet in the late 1960s, a period of transition from the traditional structure of a jazz composition to a freer format that invited improvisation throughout the tune. The painting Filles de Kilimanjaro III (Miles Davis) (cover), by the Japanese-Argentinian artist Kazuya Sakai (1927-2001), takes its title from this recording, and it is fair to ask what the painting and the recording have in common. Sakai and Davis both made changes in their creative processes at some point in their careers. Sakai was a fan of the music of Miles Davis and was no doubt aware that Davis named some of his compositions after other musicians he admired. There is also a structural similarity between the recording and the painting. In the recording, the trumpet and tenor saxophone players harmonize in a sinuous, occasionally dissonant flow, an auditory analogy to Sakai's stream of vibrating colors in the cover painting. Sakai was influenced by artworks in a variety of media, from jazz music to 18th-century Japanese screens and gardens, but the visual evidence of these influences is subtle, especially in comparison with gestural paintings of the mid-20th century, in which drips and dabs of paint on canvas are clues to the artist's state of mind. In the cover painting there are no obvious brush strokes, tape marks, or other telling gestures, but the painter's intent may be inferred from his choices of pattern and color.

Figures in this Article

Topics

Sign in

Create a free personal account to sign up for alerts, share articles, and more.

Purchase Options

• Buy this article
• Subscribe to the journal

First Page Preview

View Large
First page PDF preview

First Page Preview

View Large
First page PDF preview

Figures

Place holder to copy figure label and caption

Graphic Jump LocationImage not available.

Kazuya Sakai (1927-2001), Filles de Kilimanjaro III (Miles Davis), 1976, Argentinian. Acrylic on canvas. 200.6 × 200 cm.

Tables

References

CME
Also Meets CME requirements for:
Browse CME for all U.S. States
Accreditation Information
The American Medical Association is accredited by the Accreditation Council for Continuing Medical Education to provide continuing medical education for physicians. The AMA designates this journal-based CME activity for a maximum of 1 AMA PRA Category 1 CreditTM per course. Physicians should claim only the credit commensurate with the extent of their participation in the activity. Physicians who complete the CME course and score at least 80% correct on the quiz are eligible for AMA PRA Category 1 CreditTM.
Note: You must get at least of the answers correct to pass this quiz.
Your answers have been saved for later.
You have not filled in all the answers to complete this quiz
The following questions were not answered:
Sorry, you have unsuccessfully completed this CME quiz with a score of
The following questions were not answered correctly:
Commitment to Change (optional):
Indicate what change(s) you will implement in your practice, if any, based on this CME course.
Your quiz results:
The filled radio buttons indicate your responses. The preferred responses are highlighted
For CME Course: A Proposed Model for Initial Assessment and Management of Acute Heart Failure Syndromes
Indicate what changes(s) you will implement in your practice, if any, based on this CME course.

Multimedia

Some tools below are only available to our subscribers or users with an online account.

Sign in

Create a free personal account to sign up for alerts, share articles, and more.

Purchase Options

• Buy this article
• Subscribe to the journal

Related Content

Customize your page view by dragging & repositioning the boxes below.

Related Collections
Jobs
brightcove.createExperiences();