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The Cover | June 15, 2011

Monet Painting in His Garden at Argenteuil

Thomas B. Cole, MD, MPH

JAMA. 2011;305(23):2384. doi:10.1001/jama.2011.820.

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On an overcast day in the outskirts of Paris, a painter stands at an easel by a rustic fence, facing a thicket of red, white, and yellow dahlias. It is Monet Painting in His Garden at Argenteuil (cover). Overlooking the pyramidal mass of vegetation to his right are several substantial houses topped with double-sloped roofs and dormer windows in the Second Empire style. Monet is outfitted for an expedition into the countryside, with paint box, palette, brushes, parasol, and portable easel, but in fact he is only a few steps from his house—the cream-colored one with blue window shutters on the left. This view of Monet at work was painted by his friend and colleague Pierre-Auguste Renoir (1841-1919), who was visiting Monet and his wife Camille in the suburb of Argenteuil.

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Pierre-Auguste Renoir (1841-1919), Monet Painting in His Garden at Argenteuil, 1873, French. Oil on canvas. 46.7 × 59.7 cm. Courtesy of the Wadsworth Atheneum Museum of Art (http://www.thewadsworth.org/), Hartford, Connecticut; bequest of Anne Parrish Titzell, 1957.614. Photo credit: Wadsworth Atheneum Museum of Art/Art Resource, New York, New York.

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Country-Specific Mortality and Growth Failure in Infancy and Yound Children and Association With Material Stature

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Cole TB. Monet Painting in His Garden at Argenteuil. JAMA. 2011;305(23):2384. doi:10.1001/jama.2011.820.

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